
Designing Your Sculpture Studio: Part 1 July/Aug 2004
Ed.: As you will see, Bill has a lot to say about the design and use of a sculpture studio.
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Whether it is a corner of your garage, or a whole new space, ideas and tips for a workspace.
Ed.: As you will see, Bill has a lot to say about the design and use of a sculpture studio.
The Wet Carving Box and How to Carve in Small Places For over a decade, I’ve worked year round in
By Dan Michael, reprinted from Sculpture NorthWest March/April 2004 February in our Northwest is predictable: sun, clouds, wind, rain, maybe
Editor: Hey gang! Hang onto your socks! here’s another glimpse into Bill’s studio designing mind. Have you bought that chop
Editor: Here we are with Bill’s final word on studio design. Is that even possible for a lawyer? Anyway, get
Let’s say you live in a quiet residential area and would like your own sculpting studio. Let’s further assume that
A studio floor with heaps of stone chips entangled in tools, power cords, and air hoses is dangerous as well as
by Boris Spivak Every artist dreams of a fine studio where the working process will be effective and pleasant. The
GiveBIG (@wagives) is an annual fundraising effort that takes place May 6-7 where community members can donate to their favorite non-profit organizations (like the Northwest
37th Annual International Stone Carving Symposiumat Pilgrim Firs Camp, Port Orchard, WA July 12th-20th 2025 Register Now! The Symposium We invite you to join us
Invitation Call for Art & Volunteers to participate in the Tenino Stone City Arts Festival
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